Monday, September 29, 2014

"Our America" brings PINTURA : PALABRA to Sacramento...


Crocker Art Museum

Letras Latinas, the literary initiative at the University of Notre Dame’s Institute for Latino Studies (ILS), is pleased to announce its third “PINTURA : PALABRA” workshop, slated to take place on Saturday, October 11 and Sunday October 12 in Sacramento, CA. The two-day, ten-hour workshop is being held in tandem with the Smithsonian American Art Museum’s traveling exhibit, "Our America: the Latino Presence in American Art," which opened on September 21 and will be on view through January 11, 2015. There will also be a reading, free and open to the public, on Sunday, October 12 at 5 PM at the Sacramento Poetry Center after the workshop concludes, featuring the workshop participants and their facilitator, the noted poet Francisco X. Alarcón.

“The visual arts and the written word are really two faces of the same coin. For me, it is a true honor and privilege to be the facilitator of the third ‘PINTURA : PALABRA’ workshop. Art and poetry express the heart and soul of our community and I’m looking forward to working with the talented writers who will be gathering at the Crocker,” said Alarcón, who teaches at UC Davis and is co-founder of Los Escritores del Nuevo Sol (Writers of the New Sun), a collective of poets and writers based in Sacramento. Holding the workshop on the grounds of the museum will allow participants easy access to the works on display.

The Crocker Art Museum is proud to host this unique workshop where poets will contemplate the human experience through visual arts in a collaborative setting,” said Emma Moore, Studio Experiences Manager at the Crocker Art Museum. “Inspired and energized, they will produce literary artworks under the guidance of master poet, Francisco X. Alarcón and come away with a view of museums as a source of inspiration for future works,” added Moore.

“PINTURA : PALABRA, a project in ekphrasis” is a multi-year national initiative that seeks to foment the creation of new writing inspired by Latino art. The inaugural workshop was held at the Smithsonian American Art Museum last February, where the “Our America” exhibit began its tour. It was led by Valerie Martínez and Brenda Cárdenas, former Poet Laureates of Santa Fe, NM and Milwaukee, WI, respectively. DC-based poets made up most of the curated roster of participants. After the workshop in Washington D.C., a group of Florida poets were convened at Florida International University’s Frost Museum of Art, the second stop of the “Our America” tour. Andrés Montoya Poetry Prize-winning poet Emma Trelles led the Miami workshop.

For the Sacramento workshop, Letras Latinas is partnering with two literary journals to publish PINTURA : PALABRA portfolios of ekphrastic poetry generated at the Crocker. The Los Angeles Review and The Packinghouse Review will be showcasing a sampling of the art-inspired poems generated at this third gathering.

“The poets will have a few months to polish the work they start at the Crocker. Collaboration with these journals is one of the most gratifying aspects of this initiative. We have agreements with Poet Lore and Notre Dame Review for the DC and Miami workshops, respectively” said Francisco Aragón, faculty member at the Institute for Latino Studies. “At some point, we’ll all be able to hold in our hands portfolios of writing inspired by this traveling exhibit,” Aragón added.

The Sacramento Poetry Center (SPC) will host an event on Sunday, October 12 at 5 PM. “It’s an honor for SPC to be hosting the PINTURA:PALABRA poets. With eighteen talented voices led by Francisco X. Alarcón, it promises to be an energetic night of word ‘painting.’ This should be one of the best readings of the year,” said Bob Stanley, former Poet Laureate of Sacramento (2009-2012) and current board member of the SPC.

The seventeen poets taking part in the third PINTURA: PALABRA workshop all have ties to Northern California. They are: JoAnn Anglin, Paul Aponte, Oscar Bermeo, Maya Chinchilla, Lucha Corpi, Nancy Aidé González, Xico González, Javier O. Huerta, Paco Márquez, Gerardo Pacheco Matus, Maceo Montoya, Adela Najarro, Graciela B. Ramírez, Joseph Rios, Sandra García Rivera, Odilia Galván Rodríguez, and Harold Terezón.

After Sacramento, the “Our America” exhibit travels to the Utah Museum of Fine Arts, where Letras Latinas proposes to hold a fourth workshop. “Letras Latinas has managed to forge partnerships with the exhibit’s hosting venues. We are immensely grateful to the Smithsonian American Art Museum, the Frost Museum of Art, and the Crocker Art Museum for allowing us use of their space. If all goes as hoped for, writer Fred Arroyo will be leading a workshop in Salt Lake City in March,” said Aragón.

“Our America: the Latino Presence in American Art” is slated to visit five more American cities, well into 2017. For more information, visit: http://www.americanart.si.edu/exhibitions/online/our_america/online_exhibition.cfm

The Sacramento Poetry Center promotes and advances the practice and application of poetry and the literary arts to enliven and extend the cultural boundaries of Sacramento’s literary arena by creating and maintaining forums for local writers; to support and empower emerging and established poets, and to bring the best practitioners of the craft into the community.

Letras Latinas, the literary initiative at the Institute for Latino Studies, strives to enhance the visibility, appreciation and study of Latino literature both on and off the campus of the University of Notre Dame.

Since its creation in 1999, the Institute for Latino Studies has played a vital role in fostering understanding of the U.S. Latino experience. Building upon the history of Latinos at Notre Dame and the outstanding legacy of Julian Samora, a pioneering Latino scholar and professor of sociology, the Institute supports scholarly initiatives in Latino studies as a key component of Notre Dame’s academic mission.


The PINTURA : PALABRA workshops
are made possible thanks, in part,
to the generosity of the Weissberg Foundation
and individual donors.

Friday, September 12, 2014

Dan Vera @ ND: photo gallery with commentary


Dan Vera's recent visit to Notre Dame was, I think, what Letras Latinas aspires to. In other words, it hasn't always been the case. One of the adjustments we've made in the last couple of years, as the poster above indicates, is shifting all of our events to the evening....with plenty of lead time, and in consultation, as a rule, with the Creative Writing Program (they hold their events on Wednesdays, too). Dan's reading was scheduled in direct and early consultation with CW.  


Getting the local press to notice doesn't happen overnight. It sounds like a cliché, but it still holds true: building and sustaining relationships is the key. I met Howard Dukes of the South Bend Tribune in the Fall of 2013. We made an appointment, he came to my office, we had a nice chat, and I gave him free books. He did a nice piece on the grande on-campus finale of of Latino/a Poetry Now. And then something highly unusual happened last spring: somehow Howard got wind that Laurie Ann Guerrero was going to be reading on campus (I was swamped and forgot to make my local press contacts because, among other reasons, I was travelling in from DC and I can only do so much), and I found out that he wanted to interview Laurie. Result? This. And so this year, remembering to put Howard on my check list, I contacted him, and he came through.

I also contacted the student reporter from The Observer who wrote a nice piece last year for our Latino/a Poetry Now finale, and she responded by saying she'd been promoted to News Editor, and so she assigned Dan's reading to new student journalist named Hunter. Dan's reading was his very first assignment, and he did a splendid job. 

But lest one thinks these relationships happen overnight, they don't. In the Fall of 2011, when we launched Latino/a Poetry Now at Harvard University, I contacted The Observer then and made the pitch to them to cover our off-campus launch. I'm grateful to say they said Yes, and published this. In short, it's work, and more work, and if you're lucky, and keep at these relationships, they can and do pay off.

Dan Vera, Jonathan Diaz, Suzi Garcia, Francisco Aragon
missing: Ae Hee Lee

Arguably the most important aspect about these writer visits is to try and create spaces and situations where our students can interact and be enriched. On Dan's first night, Tuesday, keeping in mind the spirit of the Letras Latinas Writers Initiative, we set up a dinner with our Latino/a grad students in Creative Writing. And yet (I'm sorry I don't have a photo of this) no less enriching and important was that Dan had the opportunity to hang out and chat other CW grad student poets who were kind enough to come to the reading on Wednesday night, and who we invited to join us for drinks afterwards. They were Chris Holdaway, who hails from New Zealand, and is active in small press publishing with a cool press out of New Zealand called Compound Press. And Nichole Riggs, who hails from Tucson, AZ, and who, like Chris, is a first year student, and will be working with Action Books during her stint at Notre Dame. And speaking of Action of Books, also in attendance in show of support was current Creative Writing Director Joyelle McSweeney.

Tom Anderson

Professor Tom Anderson, current Chair of the Department of Romance Languages and Literature, has been one of Letras Latinas' most loyal and consistent supporters, when it comes to our on-campus events. A consumate book buyer and collector, our visiting writers can always count on his support. Tom has also been instrumental in providing co-sponsorship via the  José E. Fernández Hispanic Studies Caribbean Initiative when our writers (like Dan) have connections to el Caribe. 

Dan, signing

Putting on these events is a team sport. And it starts with our Events Coordinator, Laly Maldonado, who got Dan squared away with his lodging, and who made sure we had a room, and a pre-reading reception. Here's Laly after having purchased books not only for the Institute's library for her and other members of her family.

Francisco Aragon, Tom Anderson, Dan Vera, Marisel Moreno

Equally supportive as Tom Anderson has been Associate Professor Marisel Moreno, with whom Letras Latinas has been steadily collaborating since Marisel and I worked together to bring Junot Diaz to Notre Dame in the Fall of 2009. Marisel has been particularly involved, in terms of classroom visits, with writers such as Fred Arroyo and William Archila, writers Marisel has now included in her syllabi, and her scholarly interests.

210-214 McKenna Hall, just before the reading

We set up 80 chairs and this optic seems to suggest that nearly all chairs were filled, if not all, eventually. Those in attendence were overwhelmingly students, including a good number from the across the way, at Holy Cross College--thanks to the collaboration of poet George Klawitter, C.S.C, who taught some of Dan's poems in his Advanced Composition class.

winner and judge
Speaking Wiri Wiri (Red Hen Press, 2013), the published book, wouldn't exist in its current form had Orlando Menes not selected it. Orlando did the honors of introducing Dan.

Dan at the podium

Audience members taking in some Wiri Wiri
Group photo with "Migrant Voices" class

On Dan's last day, he had a great session with Professor Marisel Moreno's "Migrant Voices" class


Tuesday, September 2, 2014

Letras Latinas Interviews: 2009 - 2014

Letras Latinas Blog, in the coming months, will be carrying out certain gestures as a way to pause and reflect on our first ten years. That’s right: 2014 marks our ten year anniversary. I joined the ILS in the summer of 2003, but Letras Latinas didn’t begin to take shape until 2004. The first of these gestures is below: a listing of the single-author interviews we have commissioned and posted. The author interview has become, I think, our forte. What we want to do in this area, moving forward, is involve more Notre Dame students. So stay tuned as Letras Latinas Blog strives to provide, increasingly, more opportunities for our students to test out and hone their skills in literary journalism.     —FA


Letras Latinas Interviews: 2009-2014

Interviews conducted by ND MFA alum Lynda Letona (‘14):

Carlos Parada Ayala
interviewed by Lynda Letona

Felecia Catón García
interviewed by Lynda Letona

Carmen Giménez Smith
interviewed by Lynda Letona 

Celeste Gúzman Mendoza
interviewed by Lynda Letona

Raina J. León
interviewed by Lynda Letona

Sheryl Luna
interviewed by Lynda Letona

 Interviews conducted by ND MFA alum Lauro Vázquez (‘13):

Carmen Calatayud
interviewed by Lauro Vázquez

Xánath Caraza
interviewed by Lauro Vázquez


Rigoberto González (poetry), 
interviewed by Lauro Vázquez

Javier O. Huerta
interviewed by Lauro Vázquez

John Murillo
interviewed by Lauro Vázquez

Ruben Quesada
interviewed by Lauro Vázquez

José Antonio Rodríguez
interviewed by Lauro Vázquez

ire’ne lara silva (poetry), 
interviewed by Lauro Vázquez

Nefelibata: interviews with Latina writers

curated and conducted by ire’ne lara silva

elena minor
interviewed by ire’ne lara silva

Natalia Treviño
interviewed by ire’ne lara silva

Interviews conducted by guest contributors

Rosa Alcalá
interviewed by Carmen Giménez Smith

Juliana Aragón Fatula
interviewed by Adela Najarro

Blas Falconer
interviewed by Sebastian H. Páramo

Lucrecia Guerrero
interviewed by Dini Karasik

Rachel McKibbens
interviewed by Oscar Bermeo

Michael Luis Medrano
interviewed by Ashley McCaffrey

Melinda Palacio
interviewed by Adela Najarro

Emily Pérez
interviewed by Emma Trelles

ire’ne lara silva (prose), 
interviewed by Juan Luis Guzmán


Interviews conducted by ND undergraduate Roberto Cruz (‘17)

Rigoberto González (prose), 
interviewed by Roberto Cruz

Maceo Montoya
interviewed by Roberto Cruz

Ito Romo
interviewed by Roberto Cruz

Louis Villalba
interviewed by Roberto Cruz