The Patricia and Phillip Frost Art Museum
Florida International Univeristy
Frost Art Museum
(photo credit: Emma Trelles)
Frost Art Museum
(photo credit: Emma Trelles)
About a week ago I saw a gem of a play: Lisa Loomer’s Living Out is set in Los
Angeles and is about the fraught relationship between a Salvadoran-born nanny
and the entertainment attorney she works for. In one scene the nanny and the
attorney’s husband are alone and, as if trying to convince her that he
sympathizes with her plight, begins to play and dance to one of his favorite
albums: the Buena Vista Social Club…
—which brings to me to Miami, typing up this post
at a café in Coral Gables, an elderly man flipping through a magazine on Pope
Francis, mumbling to himself beside me—which is something that shouldn’t
have surprised me: the amount of Spanish I’m hearing in this my first time in
this vibrant city.
Coral Gables
“Our America: the Latino Presence in AmericanArt” opened at the Patricia and Phillip Frost Art Museum at Florida
International University (FIU) of April 2, and runs until June 22.
The Exhibit
(photo credit: Emma Trelles)
Andrés Montoya Poetry Prize-winning poet Emma Trelles, who took part in the
inaugural ekphrastic workshop in DC last February, graciously agreed to facilitate/lead
the second in what we hope will be a string of workshops as this groundbreaking
show continues to meander around the United States. To date, including its
current stop in south Florida, the exhibit has been confirmed at seven venues,
stretching well into October of 2017 (next stop: Sacramento, CA; yet to be
confirmed are proposed stops in Denver and New York).
Emma, I should say, curated the roster of
poets who will be engaging and responding to the exhibit this weekend.
Without further delay, they are:
Elisa
Albo was born in Havana. She received an MFA from FIU and teaches
English and ESL at Broward College. Her chapbook, Passage to America, is now an ebook. Her poems have appeared in
journals and anthologies, including Alimentum,
Bomb, Crab Orchard Review, InterLitQ,
Irrepressible Appetites, MiPoesias, The Potomac Journal, and Tigertail.
Adrian
Castro is a poet, essayist, and interdisciplinary artist. Born in
Miami from Caribbean heritage which has provided fertile ground for the
rhythmic Afro-Caribbean style in which he writes and performs. He is the author
of Cantos to Blood & Honey (Coffee House Press 1997), Wise Fish (Coffee
House Press, 2005), Handling Destiny (Coffee House Press 2009). He is
the recipient of many grants and fellowships including USA/Knight Fellowship,
CINTAS Fellowship, and others. Adrian Castro is also Licensed Acupuncturist,
and Herbalist.
Silvia Curbelo was
born in Cuba and emigrated to the U.S. as a child. A new poetry collection, Falling
Landscape, is forthcoming from Anhinga Press in 2015. Previous collections
include The Secret History of Water and Ambush. She has received
fellowships from the NEA, the Florida Division of Cultural Affairs and the
Cintas Foundation, as well as the Jessica Nobel Maxwell Prize from American
Poetry Review.
Roy
G. Guzmán is a Honduran poet and English
instructor based in South Florida. His poems have appeared in The Acentos
Review, BorderSenses, Drunken Boat, and Red Savina Review.
In the fall, he will be pursuing an MFA in poetry from the University of
Minnesota. Catch him on Twitter: @dreamingauze.
Mia
Leonin is the author of two books of poetry, Braid and Unraveling
the Bed (Anhinga Press), and a memoir Havana and Other Missing Fathers
(University of Arizona Press). Her poetry has been published in New Letters,
Prairie Schooner, Alaska Quarterly Review, Indiana Review, and others. She
teaches creative writing at the University of Miami.
Rita
Maria Martinez’s work appears in Three Genres: The
Writing of Fiction/Literary Nonfiction, Poetry and Drama and in Burnt
Sugar, Caña Quemada: Contemporary Cuban Poetry in English and
Spanish. Her chapbook, Jane-in-the-Box, takes a character from
classic English literature—Jane Eyre—and revamps her with tattoos, fishnets,
and modern feminism.
Caridad
Moro is the award winning author of Visionware (2009)
published by Finishing Line Press. She is the recipient of a Florida Individual
Artist Fellowship in poetry, and has been twice nominated for a Pushcart prize.
She is an English Professor for Miami Dade College in Miami, FL where she
resides.
Alexandara
Lytton Regalado’s poetry has appeared in Narrative, OCHO, Gulf Stream, Tigertail and other publications. She holds MFAs from Florida
International University and Pacific University. Co-founder of Kalina
publishing, Alexandra is author, editor, and/or translator of several Central
American-themed books, most recently the bililgual Salvadoran poetry anthology Theatre Under My Skin (2014).
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