Below are the testimonios from the participants of the third Letras Latinas Writers Initiative gathering--retreats, if you will, that bring together MFA candidates from around the country to meet, bond, talk shop, and forge enduring connections. But first, I'd like to take a moment to remember our previous cohorts:
Year 1, in the spring of 2013, and organized primarily by Lauro Vazquez (MFA, ND, '13), the participants were: Marcelo Hernandez Castillo (University of Michigan), Lauren Espinoza (Arizona State University), Thade Correa (University of Notre Dame) and Lynda Letona (University of Notre Dame). The gathering took place in South Bend, IN.
Year 2, in the spring of 2014, and organized primarily by the aforementioned Lynda Letona and Lauro Vazquez, the participants were: Javier Zamora (New York University), Elizabeth Acevedo (University of Maryland), Nayelly Barrios (McNeese State University), Suzi F. Garcia (University of Notre Dame), Jonathan Diaz (University of Notre Dame). The gathering took place in South Bend, IN and included time with special guests Laurie Ann Guerrero and Francisco X. Alarcón.
Special sessions during these first two gatherings (2013, 2014) were provided by Notre Dame professor and poet Orlando Menes and MFA alum and CantoMundo fellow Diego Báez.
Year 3, this past February (2015), was organized by ASU MFA candidate Lauren Espinoza, and would not have been possible without the generous collaboration and funding of ASU's Virginia G. Piper Center for Creative Writing and ASU's graduate Creative Writing Program. Special sessions were provided by Alberto Rios, Cynthia Hogue and Rigoberto González.
Gatherings like these, and what they represent, are a cornerstone of our mission.
--FA
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Year 1, in the spring of 2013, and organized primarily by Lauro Vazquez (MFA, ND, '13), the participants were: Marcelo Hernandez Castillo (University of Michigan), Lauren Espinoza (Arizona State University), Thade Correa (University of Notre Dame) and Lynda Letona (University of Notre Dame). The gathering took place in South Bend, IN.
Year 2, in the spring of 2014, and organized primarily by the aforementioned Lynda Letona and Lauro Vazquez, the participants were: Javier Zamora (New York University), Elizabeth Acevedo (University of Maryland), Nayelly Barrios (McNeese State University), Suzi F. Garcia (University of Notre Dame), Jonathan Diaz (University of Notre Dame). The gathering took place in South Bend, IN and included time with special guests Laurie Ann Guerrero and Francisco X. Alarcón.
Special sessions during these first two gatherings (2013, 2014) were provided by Notre Dame professor and poet Orlando Menes and MFA alum and CantoMundo fellow Diego Báez.
Year 3, this past February (2015), was organized by ASU MFA candidate Lauren Espinoza, and would not have been possible without the generous collaboration and funding of ASU's Virginia G. Piper Center for Creative Writing and ASU's graduate Creative Writing Program. Special sessions were provided by Alberto Rios, Cynthia Hogue and Rigoberto González.
Gatherings like these, and what they represent, are a cornerstone of our mission.
--FA
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Melisa
Garcia
(University of New Mexico)
Attending Letras Latinas Writers Initiave ASU conference “Desert Night, Rising Stars” became a confirmation
about the thoughts and emotions that I’ve been tackling throughout my experience as
an MFA poet. As a first generation grad student I have given a lot of thought
about the voice that I am growing with and into. There are many memories of
this conference that continue to speak to me, from Alberto Rios' “Linguistic
Bicycle” wisdom, to Cynthia Hogue’s aspects of bearing witness, and Rigoberto
Gonzalez's ekphrastic poetry workshop. As a poet that writes about my mother’s adolescent
experiences in El Salvador and my father’s in Guatemala, this conference has
allowed me to understand that I am a vital aspect of my parents' telling,
retelling, and ultimately showing of emotional experiences within these spaces.
Before this conference I wanted to find a space where I could understand how my
voice can be a channel for these two countries that I have never been to but my
parents carry in their minds constantly and talk about. Hogue’s
conversation about bearing witness and specifically the secondary witness
brought forth a bigger internal and external conversation of my duty as a
preserver of my parents’ fragmented memories of these places through the good
day-to-day stories and the historical turmoil both countries faced.
I was able
to understand that in accepting the duty of a storyteller per se, I will be
able to give breath to these stories and bring forth the human condition of
places that are underrepresented. With that in mind, this conference at ASU
allowed me to see what other MFA students are doing and how like them we are
processing different concepts that are rooted from the unsaid and the eagerness
to find agency in our voices. The beauty of opportunities like these is that
you gather more and more ideas to write about and fortify others that you have
possibly pushed aside because they haven’t been given the power source they
deserve.
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Jacqueline
Balderrama
(Arizona State University)
The Letras Latinas Writers Intitiative gathering was entirely
uplifting. Coming from a ethnically diverse family—part Mexican-American, part
Caucasian—I’ve always had an interest in writing about my family history and
blended identities. Recently I’ve also been drawn to environmental and border issues.
At times I’ve felt insecure approaching these subjects. In taking part in this gathering, a small community within a much larger latino voice, it felt
like a safe space to deal with those struggles.
Before this Letras Latinas gathering, I had not
taken a class on Latino poetry or participated in a conference focused on
Latino poetics. Cynthia Hogue’s talk on poetics of witness and Rigoberto
Gonzalez’s shared panel with Dexter Booth on Latino and African American Poetry
affected me and my work the most. It was important for me to see first hand how
these impressive writers handled these subjects. Most of us in the group were dealing
with forms of secondary witness. Cynthia Hogue provided very clear guidelines
on the kind of awareness required by such a poem. I will never forget what
Rigoberto Gonzalez said on writing about another’s experience: “I am speaking
next to [them]. I understand what I say is going to affect who I am standing
next to.”
Since the Letras Latinas Writers Initiative gathering, I feel more
confident in my identity as a Latina poet. I am so very grateful to the
initiative and to this year’s participants. Thank you for inviting me into this
wonderful community and allowing me to see the importance of our voices. It is
an experience I will always treasure.
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Steve Castro
(American University)
(American University)
I really
enjoyed my time at the 2015 DNRS Writers Conference with my Letras Latinas
Writers Initiative cohort. On the last
day of the conference, the five of us, Jacqueline, Lauren, Melissa, Ae Hee and
I decided to form a book club, in which we would all read one poetry book once
a month and discuss it. So in that
regard, we decided to stay in touch well after the conference ended. We mentioned that the first book we would
like to discuss would be Dexter L. Booth’s Scratching
the Ghost. After our final
conference event, we left for the Phoenix Art Museum. After the museum, we stopped by a grocery
store before we went home to order takeout and discuss poetry. As we were driving away from the grocery
store, I realized that I had forgotten my poetry book Scratching the Ghost inside of the grocery store. I lamented this, and Lauren, who was driving,
decided that we should go back to look for my book. I mentioned that we didn’t have to go through
all this trouble. Once we returned, I
got out, while Jacqueline, Melissa, Lauren and Ae Hee, waited in the car. I came back out and told them that I couldn’t
find my book, but that I was grateful that we came back to look for it, and
that we could head home. My suggestion
did not satisfy any of them, so Lauren parked the car and the five of us looked
throughout the entire grocery store for my book, and Lauren ended up finding it
in the beer section. We then went home
and ordered Thai food, and ate to our heart’s content and then we read and
commented on each other’s poetry well into the night.
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Ae Hee Lee
(University of Notre Dame)
It was
lovely to remember what the sun felt like and how many colors the world really
has after months of snow and white and grey in South Bend, IN. This was my first
time attending a conference and I did not know what to expect. However, Desert Nights, Rising Stars and the talks
about ekphrastic poetry by Rigoberto Gonzalez, the nature of language with Alberto
“Tito” Rios, and the poetics of witness with Cynthia Hogue were educating and,
above all, inspiring. Especially the last two, as they spoke to me as a
“third-culture kid” who sought to reconcile the different cultures I have lived
through and continue to live within me.
The trips
to the eateries surrounding ASU and the Phoenix Art Museum were great, but
it was the “Salon” that really completed this experience for me. The
time and poetry shared with the new Letras Latinas Writers Initiative group
(Lauren! Jackie! Melissa! Steve!)
and the kind people that invited us into their home (Bojan Louis and Sara
Sams) were truly memorable. While we ate thai curry, played music, and commented and brought
each other up sincerely in our writing, I could not help but think just how amazing it is that we connected
with each other despite having been strangers for most of our lives.
I am very thankful
to everyone who made this experience possible, be it by organizing or hosting,
and I truly believe that gatherings such as these are blessings to any MFA student who is ready to explore beyond his/her
own world and writing.
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