Hayden’s
Ferry Review interviews Cynthia Cruz
Cynthia Cruz is the author of Ruin (Alice James Book, 2006) and a second collection, The Glimmering Room forthcoming from
Four Way Books. She is a CantoMundo fellow and a former Hodder Fellow in Poetry at Princeton
University. Cruz, a former reader of the PALABRA PURA reading series,
(Letras Latinas was once co-sponsor and curator of the series) is currently
featured in an interview for Hayden’s Ferry Review. In this interview Cynthia
Cruz talks about fashion, gender bending and also describes her current project
in which the poems are stripped of “their backbone” leaving only “glitter or
afterglow.” Poems that create narrative not through a conventional way but more
through the power of association:
“When
my students ask me what a poem is, I tell them it is as though you have a strip
of fabric with different bits of color and jewels embedded in it. Each of these bits and jewels necessarily
create a relationship and a story just by being near one another. As a
poet, I am interested in using words and sounds and space in this manner.”
*
Publishers
Weekly reviews Rigoberto González’s Red-Inked
Retablos
Rigoberto
González is the author of three poetry books, So Often the Pitcher Goes to
Water until It Breaks, a National Poetry Series selection, Other Fugitives and Other Strangers, and a new collection Black
Blossoms; two bilingual children’s books: Soledad Sigh-Sighs and Antonio’s
Card; the novel Crossing Vines, winner of ForeWord Magazine’s
Fiction Book of the Year Award; a memoir, Butterfly Boy: Memories of a
Chicano Mariposa and a book of stories Men without Bliss.
Red-Inked Retablos (University of
Arizona Press, 2013) a collection of prose pieces, essays, speeches and literary
criticism is Rigoberto’s latest collection and is currently reviewed at Publisher’s
Weekly.
Here
is what Publishers Weekly had to say:
“A
sharp collection of 13 pieces—personal essays, literary criticism, and
speeches—this book pleasantly mixes lyricism with clear-eyed frankness. Poet
González, author of the memoir Butterfly Boy, writes beautifully and searingly
about his experiences as a gay Latino, and the work of his fellow queer and
Latina/o writers. It's to González's credit that his essays and literary
criticism share similarities, intelligently analyzing his own experiences in
the former, and foregrounding the raw connections people have with books in the
latter. The critical essays focus on fellow Latina/o poets and queer
poets—often those who have died—and he refreshingly embraces his connection
with them both as a reader and, sometimes as a colleague and friend. The
speeches carry a fiercer tone coupled with a call-to-arms piece for queer
Latina/os.”
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