Before we resume our
regular posting for the month of March, Letras Latinas would like to call your
attention to a selection of AWP panels, readings, off-site
events and one reception (the Con Tinta celebration honoring Tino Villanueva, co-sponsored by Letras Latinas and others) that Letras
Latinas has selected with the criteria that these events are particularly
useful in “enhancing the visibility, appreciation, and study of Latino/a
literature”—in short a selection of the AWP events that Letras Latinas Blog
considers are in one way or another carrying out its mission.
Without further delay:
WEDNESDAY,
MARCH 6
7PM
Location: The Democracy Center, Cambridge (OFFSITE)
Join us for a celebratory evening of poetry and
prose at The Democracy Center in Cambridge (Harvard Square, 3 miles from
Boston) as we celebrate book launches for new books by Lee Herrick, Tim Z.
Hernandez, Daniel Chacón, and Nicky Sa-eun Schildkraut, plus readings by Ilyse
Kusnetz, Optimism One, Sasha Pimentel Chacón, Margaret Rhee, Leah Silvieus,
Aimee Suzara, and Andre Yang. This reading is sponsored by Boston Korean
Adoptees.
Location: Porter Square Books (OFFSITE)
Join Porter Square Books for a reading with
contributors to The Plume Anthology of
Poetry 2012. Almost seventy poets are represented in this inaugural
volume representing a broad range of the best work by the best U.S. and
international poets working today. The readers for this event will be Rafael
Campo, Mark Irwin, Daniel Tobin, Martha Collins, Annie Finch, and David Rivard
THURSDAY,
MARCH 7:
9:00 AM
R116.
Gladly Wolde He Learne and Gladly Teach: Creating Opportunities for Teen
Writers. (Chantel Acevedo, Mary
Donnarumma Sharnick, Tawnysha Greene, Michelle Hopf)
Room 204, Level 2
When did you know you were a
writer? You’ve heard this question before, and your answer likely took you back
to memories of childhood. The writers on this panel have not forgotten those
initial influences on our literary lives, and so, have designed programs for
teens that encourage their early identification as writers. Join us as we
discuss our design and implementation of summer writing camps, writing retreats
abroad, poetry slam contests, and more for the writing teens in your community.
R122.
“The Poem of Creation is Uninterrupted”: Writers Respond to Walden and Walden Pond. (Lindsay Illich, Sandra Castillo,
Scott Temple, Kristen Getchell)
Room 303, Level 3
Readers will present
original works of poetry and prose responding to Thoreau’s Walden and to the geographical site
of Walden Pond near Concord, Massachusetts. From the perspective of ecopoetics,
Walden serves
as a centrifuge for nature writing, but the readers will also explore more
subversive readings of the work and the geographical site through verse and
prose.
R127.
Disciplinarity and Lore: Modeling Compromise and Vital Pedagogies for 21st- Century Classrooms. (Kate Kostelnik, Claudia Barbosa Nogueira, Rachel Haley
Himmelheber)
Room 313, Level 3
Because of the persisting
workshop model and anti-academic lore, creative writing instructors are still
characterized as anti- intellectual and unprofessional. In some ways, we are a
discipline divided between those upholding New Critical emphasis on texts and
those challenging the scope and goals of the creative writing classroom. Our
panel will model compromise and pedagogy that keep creative writing relevant in
the 21st century while replicating tested lore-based pedagogy.
10:30 AM
R131.
Baring/Bearing Race in the Creative Writing Classroom. (Aimee Suzara, Kwame Dawes, Debra Busman, Diana Garcia, Lee
Herrick)
Room 104, Plaza Level
Drawing on Toi Derricotte’s
classic essay, “Baring/Bearing Anger: Race in the Creative Writing Classroom,”
this panel explores the roles race and identity play in our work as educators.
How do we inhabit our own positionalities as writers/professors (how we are
seen or perceived and how we see ourselves) in the classroom? How do we
encourage students to speak truth and get real in their work, and then
negotiate the classroom confrontations that can happen when multiple “truths”
collide?
R132.
Stories from All Directions: New Native Fiction. (Toni Jensen, Eddie Chuculate, Natanya Pulley, Erika Wurth)
Room 105, Plaza Level
This reading showcases
fiction from new, award-winning Native writers whose work is diverse in its
tribal, geographic, and aesthetic makeup. From the experimental to the realist,
from the reservation to the city center, these stories offer fresh perspectives
on the lives of 21st-century Native peoples.
R146.
The Reception of Postcolonial Poetry in America. (Raza Ali Hasan, Paul Breslin, Obi Nwakanma, Juan J. Morales)
Room 209, Level 2
Anglophone poets, hailing
from Pakistan, Nigeria, and the US, will discuss the topic of postcolonial
poetry and strategies for improving its reception in the US. Cave Canem and
Kundiman have put Ethnic American poetry on the map, while postcolonial poetry
still finds itself stuck in the wilderness. The intent of this panel is to
bring into dialogue postcolonial poetry’s global impetus with the more
inner-directed energies of Ethnic American and American poetry.
R147.
Copper Canyon Press in Translation. (Michael
Wiegers, John Balaban, Geoffrey Brock, Forrest Gander, Tomás Q. Morin)
Room 210, Level 2
During the past forty years,
Copper Canyon Press has foregrounded the art of translation as intrinsic to the
vitality of contemporary poetry. From Vietnamese to Spanish, Italian to
Chinese, the Press consistently makes a place in readers’ lives for the shadow
art of translation.
R149.
Small Worlds—Flash, Sudden, and Other Very Short Fiction, Internationally and
at Home. (Christopher Merrill, Susan
Bernofsky, Robert Shapard, Edmundo Paz- Soldán, Alex Epstein)
Room 303, Level 3
Very short fiction is
burgeoning in America. Is this happening internationally? Do micros, flashes,
and suddens abroad differ from those in the US? How can they challenge us and
energize our own writing and the classes we teach? Are they easily available in
English? The panelists write, translate, edit, and teach flash and sudden
fiction.
R156.
Teaching Creative Writing to Teens Outside of the Classroom: What, How, and
Why. (Jennifer De Leon, Katie Bayerl,
Aaron Devine, Jessica Drench)
Room 313, Level 3
Join instructors in local
creative writing organizations that serve youth, including Grub Street’s Young
Adult Writing Program, Boston Children’s Hospital Writing Program, 826 Boston,
and Teen Voices, as they discuss best practices for teaching young writers in
nonacademic settings. What are the unique challenges and opportunities involved
in teaching outside of school? What keeps students motivated? How can we work
together to build the next generation’s literary community?
12:00 NOON
R183.
Poetry for the People: A Reading and Discussion of Bringing Poetry into the
Community by the Present and Past Poet Laureates of Northampton, Massachusetts.
(Lesléa Newman, Janet Aalfs, Martín Espada, Rich
Michelson, Lenelle Moïse)
Room 310, Level 3
The job of the poet laureate
of Northampton, Massachusetts is to educate the public about the importance of
poetry. The panelists will read from their work and discuss projects they
initiated during their two-year terms, including holding readings at the local
jail, editing a poetry newspaper column, writing poems to raise money for
literacy, distributing books to city waiting rooms, conducting a poetry radio
show, and curating exhibits of poetry and visual art.
1:30PM
R194.
Breaking the Glass Ceiling. (Darrel
Alejandro Holnes, Ken Chen, Francisco Aragón, Nicole Sealey, Camille Rankine)
Room 110, Plaza Level
Literary
administrators of color are still a rarity. Representatives will discuss
diversifying the field on a collegial and programmatic level, as well as the
retention and recruitment of minority administrators within the literary
nonprofit industry, the academy, and beyond. The discussion will be followed by
a brief Q&A with the audience.
R195.
From Exiled Memories to Cubop
City Blues: A Tribute to Pablo Medina. (Fred Arroyo, Pablo Medina, Rigoberto
González)
Room 111, Plaza Level
This panel pays tribute to
the poet, translator, essayist, and novelist Pablo Medina. The author of nine
books, and translator of two, most notably Lorca’s Poet in New York,
Medina is a gifted teacher and mentor at Emerson College and a recent recipient
of a Guggenheim. Medina will give a reading, followed by a conversation with
Rigoberto González and Fred Arroyo exploring the writing life Medina has
mastered, in particular his movement from a poetics of exile toward a poetics
of place.
R201.
Plagiarism in Creative Writing Classes. (Becky
Hagenston, Lorraine López, Ira Sukrungruang, Nick White, Catherine Pierce)
Room 206, Level 2
Aren’t creative writing
students interested in creating their own work, finding their own voice? Not
necessarily. The panelists will offer insights into why creative writing
students plagiarize and discuss how they handle plagiarism when it arises. They
will address strategies for generating assignments that make plagiarism a less
likely and less appealing option than creating original work.
3:00PM
R218.
Does Place Still Matter? The Relevance of Regional Fiction in the 21st Century. (Brett Boham, Stewart O’Nan, Susan Straight, Alex Espinoza,
Michael Jaime- Becerra)
Room 103, Plaza Level
Attempts to categorize
American literature often begin and end with region. Southern fiction. New
England poetry. Midwestern novel. But to what extent is regionalism a useful
lens through which to understand contemporary American literature? How do so-called
regional writers conceptualize place? And has the expansion of the American
counterculture and social media forever changed the landscape of regional
fiction? Panelists will discuss the advantages and limitations of thinking
regionally.
R223.
Breaking Piñatas: A Youth-Focused Community Performance and Mentoring Project. (Octavio (Chato) Villalobos, Jose Faus, Maria Vasquez Boyd,
Gabriela N. Lemmons, Miguel M. Morales)
Room 109, Plaza Level
The Latino Writers
Collective, which includes youth advocates, students, and law enforcement,
leads a learning circle on its dynamic performance series, Breaking Piñatas,
now in its fifth year. In the tradition of Mexican carpas, or tent
performances, Latino youth performers and mentors explore, challenge, and
embrace cultural concepts they encounter. Learn how mentors collaborate with
local agencies and schools to support long-silenced voices of Latino youth.
Recognize simple ways you can help.
R230.
The Art of Healing: Writing Illness from Both Sides of the Curtain. (Ron Grant, Fenton Johnson, Danielle Ofri, Elisabeth Tova
Bailey,
Jimmy Castellanos)
Room 204, Level 2
How
may writing about illness help us develop a more humanistic approach to
medicine? Patient and physician come together to read and discuss excerpts from
their personal reflections on illness, health, and the practice of medicine.
Panelists discuss the growing interest in literature and writing as a means of
restoring the healings arts to the contemporary practice of medicine.
R233.
Cross-Genre Crushes: Poets and Fiction Writers on Influence. (Nicky Beer, Brian Barker, Alan Heathcock, H.G. Carrillo, Carol
Guess)
Room 208, Level 2
The
short-story writer leering over a copy of Borges at The Complete Poems of Emily Dickinson. The sonneteer furtively pawing through the latest Philip Roth.
The dystopian novelist haunting poetry slams with hat pulled low. A writer’s
work may be identified as prose, poetry, etc., but what influences writers can
defy the literary categories that seem to define them. Five authors will
discuss works outside of their genres that have been of influence and celebrate
how they’ve enriched their art.
R237.
Collective Translation: From Many Mouths, One Voice. (Mariela Dreyfus, María José Zubieta, Nicholas Rattner, Marta del
Pozo, Manuel Fihman)
Room 303, Level 3
The panel aims to discuss
the advantages and challenges of translating poetry either as pair work or
group work. The questions to be answered include: How to understand and
interpret the author’s poetics in the source language as a group; how to decide
collectively on what elements—semantics, syntax, rhythm, etc.—should be
privileged when translating; and how to negotiate—and turn—the presence of each
individual translator into one single collective voice.
4:30PM
R245.
Mini-Craft Workshop: 5 Young Adult and Mid-Grade Writers Talk About Craft. (Michele Corriel, Janet Fox, Alexandra Diaz, Leah Cypess, Anna
Staniszewski)
Room 101, Plaza Level
Five young adult and
mid-grade writers who write in different sub-genres will talk about specific
craft areas and how they have honed and applied them specifically for use in
young adult and mid-grade literature. Craft elements to be discussed include
voice, character, plot, and dialogue.
R247. NewBorder:
Contemporary Voices from the U.S. Mexico Border. (Brandon Shuler, Dalel Serda,
Sergio Troncoso, John O. Espinoza)
Room 103, Plaza Level
NewBorder: Contemporary Voices
from the U.S./Mexico Border explores
the issues affecting la Frontera residents on both sides of the fence. Through
fiction, creative nonfiction, and poetry, NewBorder
readers explore the area’s
borders in a broadly defined sense of the term. Dalel Serda explores the
exploitation of women through the lives of border prostitutes, Sergio Troncoso
explores the loss of identity and childhood through Juarez’s drug wars, and
John O. Espinoza’s poetry explores the liminal spaces of self.
R250.
Sentenced to Death: Translating Resistance and Liberation. (Marcela Sulak, Evan Fallenberg, Dairena Ní Chinnéide, Elizabeth
Macklin, Cecilia Vicuña)
Room 107, Plaza Level
Writers of Irish, Czech,
Modern Hebrew, Basque, and indigenous languages spoken in the Brazilian
Pantanal have expanded or established literary canons only within the last 150
years. Translators discuss tensions in translating into the language of the
conqueror, while viewing translation as a liberation that allows texts to
become players in the international literary arena. The challenge is remaining
true to the most important and politically/culturally relevant features of each
text.
R254.
Writing and Reconsidering Regional Fiction. (Susan
Hubbard, Juan Martinez, Julie Iromuanya, Rita Ciresi)
Room 111, Plaza Level
As Eudora Welty noted, place
is more than a source of inspiration—it’s a source of knowledge. Some writers
feel that being born in a region is essential to evoking its essence in prose,
while others maintain that distance offers a better perspective of place. Our
panel participants, all award-winning fiction writers, explore these issues and
discuss techniques they use to depict a region and make it matter in a story.
Is it time to redefine, or abandon, the term Regional Fiction?
R272.
The Decolonial Imagination: Chicana Historical Fiction. (Gabriela Baeza Ventura, Emma Perez, Graciela Limon, Alicia Gaspar
de Alba)
Room 312, Level 2
Based on the concept of
decolonizing the historical record, which traditionally features the stories of
great men and great events, this panel presents readings from three recent
Chicana historical novels: Emma Perez’s Chicana lesbian western, Forgetting the Alamo, or, Blood Memory, Graciela Limón’s intimate portrait of the ill-fated French
empress of Mexico, The Madness of Mamá Carlota, and Alicia Gaspar de Alba’s tale of pirates, witches, and
diaspora in Calligraphy of the Witch.
5:30PM
Co-Sponsored by Letras Latinas:
Co-Sponsored by Letras Latinas:
(OFFSITE): Zocalo Cocina. 35
Stanhope St, Boston, MA 02116. Phone: (617) 456-7849
Con Tinta Honoring Tino Villanueva: Cocktail &
Cash Bar Celebration. Honoring Tino Villanueva in an hors d’oeuvres and book
signing event at Zocalo Cocina Restaurant (15 min. walk from AWP).
Special mention and nod to Con Tinta's current Advisory Circle---as appreciation for organizing what has become a special annual tradition:
Advisory Circle of Con Tinta
A collective of Chican@/Latin@
Activist and Writers
Diana Pando
Eduardo C. Corral
Fred Arroyo
Irasema Gonzalez
Luivette Resto
Xánath Caraza
FRIDAY,
MARCH 8
9:00AM
F111.
Poetry of Resistance: Poets Responding to Xenophobia and Injustice. (Odilia Galván Rodríguez, Carmen Calatayud, Elena Díaz Björkquist,
Andrea Hernandez
Holm)
Room 109, Plaza Level
In
response to AZ SB 1070, in 2010 a Facebook page titled Poets Responding to SB
1070 was born. It has become a lively forum of poetics and politics involving a
response of over two thousand poems. Panelists will discuss the success of the
project, an upcoming anthology, and how social movements can incorporate poetry
and writing into their organizing in order to bring about political awareness
and empowerment. Presenters will read from poetry submissions and from their
own work.
F116.
In Sickness and In Health: Literature at the Intersection of Medicine, Science,
and the Arts. (Danielle Ofri, Erika Goldman ,
Rafael Campo, Jonathan Moreno , Cortney Davis)
Room 203, Level 2
This
panel will examine the varying definitions of “literature and medicine,”
reasons for the surge of public interest, and practical issues of writing and
publishing in this field. The speakers will explore how writing deepens our
understanding of health, science, healing, and illness, and how art shapes our
perceptions of life and mortality. This panel is relevant for the writer,
editor, medical professional, patient, humanities student, and professor.
F122.
Here Far Away: Translation and Distance. (Anna
Deeny, Valerie Mejer, Raúl Zurita, Antonio Prete, Daniel Borzutzky)
Room 210, Level 2
This
panel joins Raúl Zurita, Antonio Prete, Valerie Mejer, Daniel Borzutzy, and
Anna Deeny, poets and translators from four countries and three distinct
languages. Through bilingual readings of poetry and short essays, we will
explore translation as a practice that seeks to presence distance, maintaining
it as an open and primal force, rather than engaging it as a circumstance to be
lessened or overcome.
F123.
The Novel as Weapon: PEN Members on Book Banning and Censorship. (Larry Siems, Rob Spillman, Brigid Hughes, Alex Gilvarry, Luis
Alberto Urrea)
Rooms 302/304, Level 3
Novels
inspire us, but they can also provoke fear and hatred—even before being read.
Words may be viewed as weapons; books can and do come under fire. This panel
will deal with free expression as the core of any creative practice. Using
several recent examples as a lens, panelists will examine the lived experience
of banning and censorship, raising issues of authenticity and advocacy.
10:30AM
F146.
Whose Literary Traditions? The Workshop and Ethnocentrism. (Kristiana Kahakauwila, Alex Espinoza, Nami Mun, Susan Shultz,
R.A. Villanueva)
Room 204, Level 2
Most
university creative writing workshops presume that the western canon is the
central source for exemplary literature. However, for a student whose work is
not born from this tradition, the assumptions of realism and originality that
pervade most workshops can be foreign to, or even at odds with, the student’s
vision. In this session, panelists discuss curriculum that allows student work
to be criticized and strengthened on its own terms, whether or not it’s part of
a mainstream aesthetic.
F150.
Intersecting Lineages: Poets of Color on Cross-Community Collaboration. (Ching-In Chen, Sherwin Bitsui, Celeste Guzman Mendoza, Hayan
Charara, Kevin Simmonds)
Room 209, Level 2
Inspired
by collaboration between organizations mentoring poets of color (Cave Canem,
Kundiman, and Canto Mundo), poets from indigenous, African American, Arab
American, Asian American, and Latina/o communities will discuss creative
exchange and solidarity amongst writers of color and their communities. They
will read work by ancestor poets considered outside of their self-identified
communities and talk about how their work benefits from this productive hybrid
fertilization.
F151.
Illness as Muse: Ten Years of the Bellevue
Literary Review. (Rafael Campo, Hal Sirowitz, David Oshinsky, Jacob
Freedman)
Room 210, Level 2
The Bellevue Literary Review is
the first literary journal to be published from a medical center. Based in the
oldest public hospital in the country, and perhaps the most legendary, the BLR has ushered in an entire
field of literary medical writing. Now at the ten-year mark, the BLR illuminates the human
condition through the prism of health and healing, illness and disease, and
relationships to the body and mind. Come hear BLR
writers explore these themes
via fiction, nonfiction, and poetry.
12:00NOON
178. A
Congeries of Voices: Vernacular and Diction in Contemporary Poetry. (Carmen Gimenez Smith, Joanna Fuhrman, Samuel Amadon, Lara Glenum,
Rodrigo
Toscano)
Room 208, Level 2
Many
contemporary poets appropriate the lexicon and syntax of foreign or marginal
languages, often adopting the slang of a particular historical moment. These
linguistic choices may be charged with political or cultural resistance, or
they may be purely aesthetic. This panel will discuss the various possibilities
and implications of appropriating and subverting foreign or marginal dictions
in poems and what these explorations mean to the future of poetry.
F183.
High Treason: Translating Contemporary Cuban Poetry. (Katherine Hedeen, Kristin Dykstra, Víctor Rodríguez Núnez, Mark
Weiss, Christopher Winks)
Room 305, Level 3
Translating
contemporary Cuban poetry is a challenging yet rewarding task. Challenging
because the longstanding political strife between Cuba and the US has polarized
authors and critics, limited scholarly objectivity, reduced bibliographical
sources, and restricted travel. Rewarding because it’s some of the best poetry
in the Spanish language. In addition to discussing these topics, the panel
includes a bilingual reading of representative poets from the island.
F187.
Pitt Poetry Series Reading. (Ed
Ochester, Richard Blanco, Martha Collins, Chard deNiord)
Room 310, Level 3
Four
New England poets with recent books in the Pitt Poetry Series present readings
of their work.
1:30PM
F209. The
Weathergirl Reading. (Iris Gomez, Jenna Blum, Joy
Castro)
Room 210, Level 2
How
do the metaphors of natural catastrophe illuminate the dangers of loving
someone with a mental illness—or of loving oneself in struggle with such
illness? Novelists Iris Gomez, Jenna Blum, and Joy Castro take on the forces of
nature in Try to Remember, where a Latina tries to save her schizophrenic father while
navigating an unfamiliar culture, The
Stormchasers, where a twin sister chases
Midwestern tornadoes to save her bipolar brother from dangerous manic impulses,
and in the post-Katrina thriller Hell or
High Water, which explores the
detritus of sexual assault through a victim’s PTSD.
F216.
Reading the Radical: Spoken Word In & From Communities of Color. (Bao Phi, Giles Li, Sham-e-Ali Nayeem, Lorena Duarte, Tara Betts)
Room 310, Level 3
Combining a commitment to
social justice with artistic excellence, The Loft’s innovative Equilibrium
series has built and connected local and national communities of color through
the art of spoken word. Over ten years, EQ has served thousands of artists and
audience members, and was one of the few arts organizations to ever be awarded
an MCN Anti-Racism Initiative Award. This performance will feature past poets
who have featured at Equilibrium from all over the country.
F217.
Not Just a Blog: How Publishers and Writers Can—and Should—Use Tumblr to Create
and Promote. (Fernanda Diaz, Rachel
Fershleiser, Max Fenton, Ryan Chapman, Miles Klee)
Room 312, Level 3
This panel aims to demystify
Tumblr for the first-time user and outline good Tumblr practices for more
seasoned members. Panelists will talk about the rewards—and the challenges—of
running a successful Tumblr that helps publishers and writers promote their
work, interact with readers, and contribute to the growing literary community
on the site.
3:00PM
F229.
First Person Plural Reading. (Amy
Benson, Margo Jefferson, Justin Torres, Keya Mitra)
Room 110, Plaza Level
Amy Benson, Margo Jefferson,
Justin Torres, and Keya Mitra read prose written in the First Person Plural
point of view. Their fiction and essays explore the limits and rewards of this
seldom used voice. Their work prompts questions about collective identity,
shared experience, and zeitgeist—what can ‘we’ say best, when does ‘we’ turn
into ‘I’ or ‘they’? Opportunities for questions and discussion follow readings
by the panelists.
F241.
From Poems Online to Poets in Person: a Reading By Four Cortland Review Poets. (Ginger Murchison, Stephen Dunn,
Dorianne Laux, Aracelis Girmay, David Kirby)
Room 302/304, Level 3
Pursuing a wider community
for poetry and to bring poets closer to their readers, the Cortland Review makes
the work of established and new authors and poets available worldwide—free and
without ever going out of print. Through its professional quality video series,
streaming audio and, now, poets performing to original music, the Cortland Review has
become one of the most important archives of recent poetry, fiction, and
criticism. Editor Ginger Murchison presents four of TCR’s most dynamic voices.
4:30PM
F261.
Against the Hawking of Books: Reflections on Lewis Hyde’s The Gift. (Amy Hassinger, Fred Arroyo, Gale Walden, Lee Ann Roripaugh,
Michael Martone)
Room 200, Level 2
The message blares: promote
yourself or perish. Develop a platform, master social media, blog, sell, sell,
sell. Many of us would rather traipse through our neighborhoods in nothing but
stilettos and a dangly purse. Lewis Hyde’s classic The Gift provides a
refreshing counter-point; art, he argues, is not a commercial enterprise but a
commerce of gifts. We will consider the question of how we engage in the
business of the literary arts while simultaneously remaining true to its nature
as gift.
F265.
Naming Power and Crossing Borders: Translingual Writing. (Mary Kovaleski, Tamera Marko, Eric Sepenoski, Angelika Romero,
TuBao Nguyen Phan)
Room 204, Level 2
We
explore translingual, transgenre, transborder writing in four class projects at
Emerson College in Boston: an immigration installation for young emerging
artists to cross the U.S.—Colombian border; high school and international
college students whose writing includes their home languages; and human rights
articles by immigrants from Latin America who work as janitors at the College.
This panel precedes an offsite translingual reading in Boston, headlined by
Pablo Medina, author of eleven books.
F277.
Island Hopping: A Multilingual Reading of Contemporary Caribbean Poetry. (Urayoán Noel, Nancy Naomi Carlson, Kristin Dykstra, Judith
Kerman, Orlando Ricardo Menes)
Room 310, Level 3
The
postcolonial poetry that has emerged from the constellation of islands and
countries in and surrounding the Caribbean Sea is written in such disparate
languages as English, Spanish, French, Dutch, and numerous creoles. Reading
poems from Cuba, the Dominican Republic, Martinique, and Puerto Rico, exploring
such themes as racial identity, sexuality, and alienation, this panel of
translators and poets from the Caribbean brings to life the richness and
diversity of writing from this region.
7:00PM
(OFFSITE):
Community Church of Boston, 565 Boylston Street, across from Copley Square park
Off-site AWP poetry
reading by Hanging Loose authors Pablo Medina, Joanna Fuhrman, Gerald Fleming,
Cathy Park Hong, David Kirby, Joel Lewis, Bill Zavatsky, Jen Benka, Mark
Statman, and Keith Taylor, as well as HL editors Donna Brook, Robert Hershon,
Dick Lourie, and Mark Pawlak. Friday evening March 9 from 7:00 - 9:00 PM at the
Community Church of Boston, 565 Boylston St., between Dartmouth and Clarendon
Streets, 3 blocks from the AWP convention site.
SATURDAY, MARCH 9
9:00AM
S115.
Teaching Mutt Lit: Genre-Benders, Hybrids, and Other Weirdness in the Creative
Writing Classroom. (Ruth Ellen Kocher, Jeanine
Deibel, blake nemec, Vanessa Villarreal, Kelsie Hahn)
Room 202, Level 2
This
panel will explore nontraditional and hybrid literary forms as a means of
developing craft, generating voice, and discovering a broader palette of
reading and writing interests. Members will present approaches to teaching a
variety of forms, including flash fiction, prose poetry, mixed- media, online
and interactive text, and lyric essay, in addition to multi-genre work. We will
also address resistance to unconventional structures and how to overcome these
challenges in the classroom.
S124.
Playwright as Actor / Actor as Playwright. (Kate
Snodgrass, Melinda Lopez, Steven Barkhimer, John Kuntz, Lydia Diamond)
Room 305, Level 3
Do actors make the best
playwrights? If the written character is meant to be a skeleton that actors
translate into flesh, who better to create the character than the actors
themselves? Boston Playwrights’ Theatre playwrights Steven Barkhimer, Lydia
Diamond, John Kuntz, and Melinda Lopez investigate building characters from
their perspectives as trained actors by each reading a short monologue from
their own work and discussing the benefits and limitations of creating text
from two perspectives.
10:30AM
S136.
Women in Crime. (Toni Margarita Plummer, Sophie
Littlefield, Linda Rodriguez, Nicole Peeler)
Room 110, Plaza Level
Boasting
diverse voices and writing in settings varying from academic to rural to
paranormal, three women discuss
their choice to build a crime series around a female protagonist. These authors
discuss crime and life from the female perspective, focusing on issues such as
domestic abuse, divorce, parenthood, gender roles, sex, and justice, as well as
the female sleuths and authors who inspired them. Moderated by one of the top
acquiring editors for crime fiction, a Q&A session will follow.
S143.
Sons of Boston: Tino Villanueva and Don Share. (Francisco Aragón, Tino Villanueva, Don Share)
Room 206, Level 2
Tino Villanueva and Don
Share read from their distinguished body of poetry and, afterwards, engage in a
moderated conversation. This will touch upon their work as artists, how their
work has (or hasn’t) been informed by their longtime residence in Boston, as well
as their work as translators and editors. Poets Eduardo C. Corral and Luivette
Resto will introduce Share and Villanueva, respectively.
S145.
CultureStrike: A National Cultural Movement for Immigration. (Youmna Chlala, Rigoberto González, Mark Nowak, Favianna
Rodriguez)
Room 208, Level 2
CultureStrike,
the Asian American Writers’ Workshop’s national cultural movement around
immigration, presents a reading featuring Guggenheim fellow Rigoberto
González’s pro-migrant narratives, writer and artist Youmna Chlala’s work, and
Guggenheim fellow Mark Nowak’s poems written with Domestic Workers United.
Artist Favianna Rodriguez will show work from CultureStrike’s national street
art campaign.
S146.
Honors Creative Writing Students: Researching, Reading, and Writing the Thesis.
(Cecilia Rodríguez Milanés, Rafael Lancelotta, Alise
Vick, Detrachia Neely, Martha Marinara)
Room 209, Level 2
In this session, three
creative writing undergraduates from diverse backgrounds and at different
stages in their program, discuss the rewards, challenges, and reasons for
choosing the thesis option. Together with faculty who’ve served as directors
and readers, they’ll address the research required before writing, the dynamics
of processing feedback from committee members within/outside of the major, as
well as the promotion of the honors creative writing thesis at a showcase of
undergraduate research.
12:00NOON
S180.
Reporting Creatively: The Dying Art of Literary Journalism. (Ruben Martinez, Austin Bunn, V.V. (Sugi) Ganeshananthan, Billy
Baker, Oindrila Mukherjee)
Room 313, Level 3
Lately, the growth of new
media with its focus on short and instant forms, and the memoir which
prioritizes personal experience over facts, have become the dominant forms of
nonfiction. They threaten to make literary long-form journalism, with its
combination of deep reporting and aesthetic risk-taking, extinct. We discuss
the challenges of teaching literary journalism and the process of writing for
print and online magazines. Come hear us share our experiences from the field
and the classroom.
1:30PM
S201. A
Centennial Tribute to Robert Hayden, Sponsored by Poetry Society of America. (Alice Quinn, Thomas Sayers Ellis, Major Jackson, Sharan Strange,
Eduardo C. Corral)
Room 302/304, Level 3
Introduced and moderated by
Alice Quinn, the poets will explore the life and poetry of Robert Hayden. They
will discuss his influence and read poems of their own in tribute to him.
3:00PM
S220.
Multicultural Panel of Poet Activists. (Susan
Deer Cloud, Sayra Pinto, Francisco X. Alarcon, E. Ethelbert Miller, Teresa Mei
Chuc)
Room 201, Level 2
This Multicultural Panel of
Poet Activists will read poems of bearing witness together with poems that
transform loss and sorrow into joy. They will address how writing, getting
published, giving readings, doing editing work, and weaving dream, vision, and
humor into one’s creative work and poetry readings is a part of being activists
responsible to the human community and all of life.
S227.
Wise Latinas: Writers on Higher Education. (Jennifer
De Leon, Ruth Behar, Lorraine López, Erika Martínez, Celeste Guzman Mendoza)
Room 209, Level 2
Contributors to a
groundbreaking creative nonfiction anthology will read from personal essays
that explore the range of Latina experiences in college. Come listen to
compelling narratives that provide crucial insight into this complex
intersection of race, class, and educational issues, dispelling myths and
showcasing the diversity of this community’s experiences in higher education.
233. PBQ
at 40, An Anniversary Reading. (Jason
Schneiderman, Gregory Pardlo, Jennifer L. Knox, Keetje Kuipers, Ada Limón)
Room 309, Level 3
Painted
Bride Quarterly celebrates its 40th anniversary in 2013. From
its early print quarterly days to its current incarnation as a print/digital
hybrid, PBQ has developed a brilliant reputation for publishing brash,
compassionate, high-quality literary art. Come celebrate this milestone
anniversary with poets and special guests.
4:30PM
S244.
Levity and Gravity. (Hannah Fries, Afaa M. Weaver,
Alberto Ríos, Katrina Vandenberg, Alison Hawthorne Deming)
Room 110, Plaza Level
In
an essay on the literary quality of lightness, Italo Calvino writes of “the
sudden agile leap of the poet-philosopher who raises himself above the weight
of the world, showing that with all his gravity he has the secret of
lightness.” What is that secret? To Calvino, it’s not about subject so much as
style and prosody—a way to levitate or make carry-able (bearable) “heavy”
material. This panel explores the elusive concept of lightness, how it’s
achieved, and why it might be vital in our time.
S247.
¡Bi, Bi, Monolingualism! (Sasha Pimentel
Chacón, Rosa Alcalá, Benjamin Alire Sáenz, Sylvia Aguilar, Jonathan Nehls)
Room 201, Level 2
Professors
and students from a bilingual MFA argue why monolingual programs will become
passé when writers are coming more and more from non-English speaking
traditions. We’ll discuss our international scope and how we recruit and fund
students from all over the Americas for programs who want to go bilingual too.
We’ll engage issues of bilingualism between English and Spanish that we’ve
encountered in teaching and learning, and how working in multiple languages has
affected our writing and our poetics.
S261.
Addressing the Silence: Editing as a Political Act. (Kate Ver Ploeg, Suzanne Paola, Joy Castro, Sarah Fawn Montgomery,
Nuria Sheehan)
Room 310, Level 3
In response to the 2010 VIDA
Count, which revealed the dramatic absence of female authors in literary
publications, Brevity created an all-women’s issue that asked women to push against the
silences, gaps and biases the Count exposed. Editors for this special issue
discuss their editing process here and at other journals, including Prairie Schooner,
Bellingham Review, Water~Stone, and Drunken Boat: what surprises them, and how personal aesthetic interacts with
political mission in publishing
6:30PM
(OFFSITE):
Make Shift Boston 549 Columbus Ave. Boston, MA
To celebrate community and the forthcoming VONA
anthology, readings from Cynthia Oka, Minal Hajratwala, Andrea Walls, Camille
Acker, Torrie Valentine, Jenn De Leon, Ching-In Chen, Anna Alves, Vanessa
Martir, Marissa Johnson-Valenzuela, Seve Torres, Tanya Perez-Brennan, Gail
Dottin, Dionne Irving Bremyer, Buki Papillon, Sunita Dhurandhar, Odilia Galvan
Rodriquez, Melissa Rae Sipin-Gabon. Sponsored by Thread Makes Blanket and Dinah
Press.
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