Translating
is learning about other paradigms and learning about ourselves
--Xánath Caraza
About a year after moving to the Washington, D.C. area, Dana Gioia introduced me to Pedro Serrano. It was at an event at the Aspen Institute on Dupont Circle. Serrano had been included and was among the more visible promoters, in the U.S., of a bi-national initiative that resulted in twin dual-language anthologies of Mexican and American poetry, published by Sarabande Books: Connecting Lines: New Poetry from Mexico (2006) and Líneas conectadas: Nueva poesía de los Estados Unidos (2006). The NEA and the Mexican government partnered on this special project. I remember attending the DC launch of those attractive blue and red tomes and seeing and hearing (though not yet meeting) Serrano. The event was held at the Mexican Cultural Institute.
Fast forward to March of 2012: Serrano was gracious enough to attend the
second installment of Latino/a Poetry Now, held at Georgetown University, where
he has taught. At the reception after the reading, he made a pitch. He thought
that the Spanish-language, poetry reading public needed to start reading and
exploring the world of English-language, Latino poetry. The idea was fairly straightforward: a
regular “column” that would introduce a US Latino poet—in Spanish: maybe one or
two translated poems, a brief prose headnote, and a bibliography. The venue
would be Periódico de Poesía—an ambitious, online magazine that Serrano founded and
directs.
Letras Latinas said Yes.
After some thought, we were lucky enough to count on the crucial collaboration of Xánath Caraza to
bring this idea to fruition. Indicative of Pedro’s continued support and
interest in US Latino poetry, he attended Eduardo C. Corral’s reading at
the Folger library last September. By then, Xánath and he were in touch—in
short, the ball was rolling. We wanted to take our time had our sights set on
an early 2013 launch. Periódico de Poesía comes out approximately ten times a
year. Here is our projected first slate of 2013 poets, in no particular order:
Lorna Dee
Cervantes
Brenda
Cárdenas
Maria
Melendez
Raina J.
León
Emma
Trelles
Victor
Hernández Cruz
Maurice
Kilwein Guevara
Rigoberto
González
John
Murillo
Tino
Villanueva
We are
inaugurating this project with Tino Villanueva—a sort of prelude to the homage
we will be offering up next month at CON TINTA in Boston.
Without
further delay
first
installment of
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