SINCE 1998, when the fourth anthology of Latino poetry mentioned by Francisco Aragón in the opening comments of his introduction to this collection was published, the demographic wind has most definitely shifted in the USA.
The multiplying Hispanic community has passed a significant census landmark: becoming, depending on how you care to see it, the country’s largest minority or its second largest ethnic group after the non-Hispanic white community.
While such a change may seem tangential to the rarefied world of poetry, it is no doubt indicative of the degree to which factors such as age and integration will influence the ever-changing mosaic of concerns within a large sub-culture anywhere.
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